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Antonio Inoki
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Sunday, February 28, 2010
Thursday, February 25, 2010
Wednesday, February 24, 2010
WWE's "The Undertaker" Gets Burned by Pyrotechnics, by Greg Tingle
WWE's "The Undertaker" Gets Burned by Pyrotechnics; Bad timing for WWE, by Greg Tingle
St. Louis, MO - According to the Associated Press, a pyrotechnics mishap is to blame for burning professional wrestler The Undertaker during a Sunday performance in St. Louis.
Officials say pro wrestler Mark William Calaway only suffered minor burns to his chest and escaped serious injury. Fire officials in St. Louis continue to investigate the incident.
According to World Wrestling Entertainment spokesman Robert Zimmerman, The Undertaker continued to wrestle Sunday night and still appeared during a Monday performance of WWE's Raw.
Calaway usually enters the wrestling ring as fireballs explode, but a timing mistake caused the wrestler's jacket to catch fire. The Undertaker threw down the jacket and title belt before he was treated by a ringside physician.
Doctors say that the wrestler's chest was red and appeared to be about as serious as a sunburn. According to WWE officials, the pyrotechnics overseen by a third party that is contracted with the wrestling group.
The majority of wrestling insiders, fans and media analysts believe that this latest WWE incident it likely to have some negative impact on former WWE CEO Linda McMahon's political campaign.
Media Man hopes this is a further wake up call for the WWE and the professional wresting industry in general. Minds go back to when Owen Hart died at a WWE PPV whilst performing a stunt on the way to the ring, rather than a basic professional wrestling move. As pro wrestling living legends such as Bret "Hitman" Hart and Mick "Cactus Jack" Foley has gone on record with, "Pro wrestling is more real than you think". That may be so, however does the WWE need so many "highspots" like pyro if it adds what could be seen as unacceptable risk to the performers, and potentially, fans? Roddy Piper, who currently appears for the WWE from time to time, along with Hulk Hogan (TNA Wrestling) have been campaigning for extra health benefits for professional wrestlers.
Perhaps something good may come from the latest WWE (real life) accident to The Undertaker.
The Undertaker is widely regarded as a living legend of the professional wrestling industry and has been contemplating retirement in recent years. He has been scripted into WWE WrestleMania storylines in recent weeks and it is unknown as this time if today's incident will effect the WrestleMania line up or angles.
Rest in peace, although we're not certain all WWE top brass will tonight.
*The writer has a b2b agreement (website b2b) with World Wrestling Entertainment, as they do with dozens of companies in the media, new media and entertainment sector.
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St. Louis, MO - According to the Associated Press, a pyrotechnics mishap is to blame for burning professional wrestler The Undertaker during a Sunday performance in St. Louis.
Officials say pro wrestler Mark William Calaway only suffered minor burns to his chest and escaped serious injury. Fire officials in St. Louis continue to investigate the incident.
According to World Wrestling Entertainment spokesman Robert Zimmerman, The Undertaker continued to wrestle Sunday night and still appeared during a Monday performance of WWE's Raw.
Calaway usually enters the wrestling ring as fireballs explode, but a timing mistake caused the wrestler's jacket to catch fire. The Undertaker threw down the jacket and title belt before he was treated by a ringside physician.
Doctors say that the wrestler's chest was red and appeared to be about as serious as a sunburn. According to WWE officials, the pyrotechnics overseen by a third party that is contracted with the wrestling group.
The majority of wrestling insiders, fans and media analysts believe that this latest WWE incident it likely to have some negative impact on former WWE CEO Linda McMahon's political campaign.
Media Man hopes this is a further wake up call for the WWE and the professional wresting industry in general. Minds go back to when Owen Hart died at a WWE PPV whilst performing a stunt on the way to the ring, rather than a basic professional wrestling move. As pro wrestling living legends such as Bret "Hitman" Hart and Mick "Cactus Jack" Foley has gone on record with, "Pro wrestling is more real than you think". That may be so, however does the WWE need so many "highspots" like pyro if it adds what could be seen as unacceptable risk to the performers, and potentially, fans? Roddy Piper, who currently appears for the WWE from time to time, along with Hulk Hogan (TNA Wrestling) have been campaigning for extra health benefits for professional wrestlers.
Perhaps something good may come from the latest WWE (real life) accident to The Undertaker.
The Undertaker is widely regarded as a living legend of the professional wrestling industry and has been contemplating retirement in recent years. He has been scripted into WWE WrestleMania storylines in recent weeks and it is unknown as this time if today's incident will effect the WrestleMania line up or angles.
Rest in peace, although we're not certain all WWE top brass will tonight.
*The writer has a b2b agreement (website b2b) with World Wrestling Entertainment, as they do with dozens of companies in the media, new media and entertainment sector.
Website Network
Media Man
Media Man International
Media Man Australia
Media Man Asia
Sports Entertainment News
Australian Sports Entertainment
Wrestling News Media
Sunday, February 21, 2010
Ed Harris to Star in WWE Studios' "Big Red"
Amy Madigan and WWE(R) Superstar Randy Orton(R) Also Star in the Coming-of-Age Film
STAMFORD, Conn., Feb 19, 2010 - WWE Studios announced today that award-winning actor Ed Harris ("Pollock," "Apollo 13," "The Truman Show") will headline the cast of the (tentatively titled) film, "Big Red." Chase Ellison ("Tooth Fairy"), Molly Parker ("Deadwood"), Daniel Roebuck ("Final Destination"), WWE Superstar Randy Orton, Mia Rose Frampton ("Make It or Break It") and Amy Madigan ("Carnivale") will also star in this family-friendly movie, scheduled to begin principal photography in and around New Orleans, Louisiana, on February 23, 2010.
Set against the backdrop of the mid-sixties, "Big Red" is a coming-of-age story which follows 12-year-old Andy Nichol (CHASE ELLISON), a bright student whose English teacher, Mr. Simon (ED HARRIS), pairs him on a project with the school's biggest outcast and social pariah, Stanley (aka "Big Red"). When Andy watches Stanley fearlessly confront a school bully, a series of events is unleashed, which changes the lives of both young men -- and their teacher -- forever.
WWE Studios Executive Vice President Mike Pavone will direct the drama from his original screenplay. "Big Red" is produced by Pavone and Denise Chamian. WWE Studios Vice President David Calloway is the executive in charge of production and the line producer is Todd Lewis.
Golden Globe-winning actor Ed Harris stars as Mr. Simon, a popular "Teacher of the Year" who finds himself the target of a vendetta when he makes sure the principal (AMY MADIGAN) suspends a school bully. A four-time Oscar nominee and SAG Award winner, Harris has distinguished himself as one of film's most respected and talented actors in numerous popular and critically-acclaimed films, including: "National Treasure: Book of Secrets," "The Hours," "A Beautiful Mind," "Enemy at the Gates," "The Truman Show," "Glengarry Glen Ross," "A History of Violence," "The Rock," "Apollo 13," "The Firm," "Places in the Heart" and "The Right Stuff." Harris also directed and starred in the title role of "Pollock," for which he received an Oscar nomination for his performance. He also wrote, directed, produced and starred in the award-winning film adaptation, "Appaloosa."
Chase Ellison plays Andy Nichol, a bright student unwillingly paired with the school's biggest outcast, Stanley/ "Big Red" for an English term paper. Ellison's film credits include "Tooth Fairy," "Fireflies in the Garden," "End of the Spear," "Wristcutters: A Love Story" and "Mysterious Skin." His television credits include "Deadwood," "Boomtown," "Malcolm in the Middle" and as a regular on the daytime series, "The Young and the Restless" (Noah Newman).
Molly Parker, known to many for her role as Alma Garret on HBO's "Deadwood," portrays Andy's mother, Sherri. Parker has been a regular or recurring character on several acclaimed television series including "Swingtown," "Shattered," "Six Feet Under," "Twitch City" and "Lonesome Dove: The Outlaw Years." Her film credits include "Hollywoodland," "The Wicker Man" and "Wonderland."
Daniel Roebuck plays Andy's father, Jim. Roebuck has appeared in the films "The Fugitive," "U.S. Marshalls," "Final Destination," "Rob Zombie's Halloween," "Agent Cody Banks," "Agent Cody Banks 2: Destination London," "Project X" and "Rivers Edge." He has been a regular on numerous television series including "Lost," "Woke Up Dead," "Nash Bridges," "Matlock," "Capital News" and "Star Trek: The Next Generation." He is also the writer, producer and director of the horror documentary series, "Monsterama."
WWE Superstar Randy Orton portrays Ed Freel, the father of the bully reprimanded by Simon. When Freel's son spreads a lie about Simon, Ed repeats the accusation and begins a campaign to get Simon fired. Since making his WWE debut in 2002, Orton has held the WWE Championship, the World Heavyweight Championship, the Intercontinental Championship and the World Tag Championship. A third-generation WWE Superstar, Orton is the son of WWE Hall of Famer "Cowboy Bob" Orton and the grandson of "The Big O," the late Bob Orton, Sr.
Mia Rose Frampton has been cast as Mary Bell, the prettiest girl in the school, who is also known as the preeminent make-out artist of the eighth grade. Frampton, the daughter of Grammy Award-winning artist Peter Frampton, stars as Becca Keeler in the popular ABC television series, "Make It or Break It" about the training of Olympic hopefuls.
Golden Globe-winner Amy Madigan ("Roe v. Wade") plays Principal Kelner, whose decision to suspend a school bully has devastating and unforeseen consequences. Madigan, familiar to many for her role as Annie Kinsella in the film, "Field of Dreams," and Iris Crowe in the HBO series "Carnivale," has received Oscar, Emmy and Independent Spirit Award nominations for her work in "Twice in a Lifetime," "The Prince of Pennsylvania," "Love Child" and "Loved." Her film credits include "The Laramie Project," "Pollock," "With Friends Like These," "The Dark Half," "Uncle Buck," "Alamo Bay," "Places in the Heart" and "Streets of Fire."
Writer-director-producer Pavone recently produced the family drama, "Legendary," starring Patricia Clarkson, WWE Superstar John Cena(R) and Danny Glover, as well as the comedy "Knucklehead," with Mark Feuerstein, Melora Hardin and WWE Superstar Paul "Big Show(R)" Wight. "Legendary" and "Knucklehead" are slated for theatrical release in late 2010.
World Wrestling Entertainment, Inc., a publicly traded company (WWE 16.44, +0.10, +0.61%) , is an integrated media organization and recognized leader in global entertainment. The company consists of a portfolio of businesses that create and deliver original content 52 weeks a year to a global audience. WWE is committed to family-friendly, PG content across all of its platforms including television programming, pay-per-view, digital media and publishing. WWE programming is broadcast in more than 145 countries and 30 languages and reaches more than 500 million homes worldwide. The company is headquartered in Stamford, Conn., with offices in New York, Los Angeles, Chicago, London, Shanghai, Sydney, Tokyo and Toronto. Additional information on World Wrestling Entertainment, Inc. (WWE 16.44, +0.10, +0.61%) can be found at wwe.com and corporate.wwe.com. For information on our global activities, go to http://www.wwe.com/worldwide.
Trademarks: All WWE programming, talent names, images, likenesses, slogans, wrestling moves, trademarks, copyrights and logos are the exclusive property of World Wrestling Entertainment, Inc. and its subsidiaries. All other trademarks, logos and copyrights are the property of their respective owners.
Forward-Looking Statements: This news release contains forward-looking statements pursuant to the safe harbor provisions of the Securities Litigation Reform Act of 1995, which are subject to various risks and uncertainties. These risks and uncertainties include the conditions of the markets for live events, broadcast television, cable television, pay-per-view, Internet, feature films, entertainment, professional sports, and licensed merchandise; acceptance of the Company's brands, media and merchandise within those markets; uncertainties relating to litigation; risks associated with producing live events both domestically and internationally; uncertainties associated with international markets; risks relating to maintaining and renewing key agreements, including television distribution agreements; and other risks and factors set forth from time to time in Company filings with the Securities and Exchange Commission. Actual results could differ materially from those currently expected or anticipated. In addition to these risks and uncertainties, our dividend is based on a number of factors, including our liquidity and historical and projected cash flow, strategic plan, our financial results and condition, contractual and legal restrictions on the payment of dividends and such other factors as our board of directors may consider relevant.
SOURCE: World Wrestling Entertainment, Inc.
STAMFORD, Conn., Feb 19, 2010 - WWE Studios announced today that award-winning actor Ed Harris ("Pollock," "Apollo 13," "The Truman Show") will headline the cast of the (tentatively titled) film, "Big Red." Chase Ellison ("Tooth Fairy"), Molly Parker ("Deadwood"), Daniel Roebuck ("Final Destination"), WWE Superstar Randy Orton, Mia Rose Frampton ("Make It or Break It") and Amy Madigan ("Carnivale") will also star in this family-friendly movie, scheduled to begin principal photography in and around New Orleans, Louisiana, on February 23, 2010.
Set against the backdrop of the mid-sixties, "Big Red" is a coming-of-age story which follows 12-year-old Andy Nichol (CHASE ELLISON), a bright student whose English teacher, Mr. Simon (ED HARRIS), pairs him on a project with the school's biggest outcast and social pariah, Stanley (aka "Big Red"). When Andy watches Stanley fearlessly confront a school bully, a series of events is unleashed, which changes the lives of both young men -- and their teacher -- forever.
WWE Studios Executive Vice President Mike Pavone will direct the drama from his original screenplay. "Big Red" is produced by Pavone and Denise Chamian. WWE Studios Vice President David Calloway is the executive in charge of production and the line producer is Todd Lewis.
Golden Globe-winning actor Ed Harris stars as Mr. Simon, a popular "Teacher of the Year" who finds himself the target of a vendetta when he makes sure the principal (AMY MADIGAN) suspends a school bully. A four-time Oscar nominee and SAG Award winner, Harris has distinguished himself as one of film's most respected and talented actors in numerous popular and critically-acclaimed films, including: "National Treasure: Book of Secrets," "The Hours," "A Beautiful Mind," "Enemy at the Gates," "The Truman Show," "Glengarry Glen Ross," "A History of Violence," "The Rock," "Apollo 13," "The Firm," "Places in the Heart" and "The Right Stuff." Harris also directed and starred in the title role of "Pollock," for which he received an Oscar nomination for his performance. He also wrote, directed, produced and starred in the award-winning film adaptation, "Appaloosa."
Chase Ellison plays Andy Nichol, a bright student unwillingly paired with the school's biggest outcast, Stanley/ "Big Red" for an English term paper. Ellison's film credits include "Tooth Fairy," "Fireflies in the Garden," "End of the Spear," "Wristcutters: A Love Story" and "Mysterious Skin." His television credits include "Deadwood," "Boomtown," "Malcolm in the Middle" and as a regular on the daytime series, "The Young and the Restless" (Noah Newman).
Molly Parker, known to many for her role as Alma Garret on HBO's "Deadwood," portrays Andy's mother, Sherri. Parker has been a regular or recurring character on several acclaimed television series including "Swingtown," "Shattered," "Six Feet Under," "Twitch City" and "Lonesome Dove: The Outlaw Years." Her film credits include "Hollywoodland," "The Wicker Man" and "Wonderland."
Daniel Roebuck plays Andy's father, Jim. Roebuck has appeared in the films "The Fugitive," "U.S. Marshalls," "Final Destination," "Rob Zombie's Halloween," "Agent Cody Banks," "Agent Cody Banks 2: Destination London," "Project X" and "Rivers Edge." He has been a regular on numerous television series including "Lost," "Woke Up Dead," "Nash Bridges," "Matlock," "Capital News" and "Star Trek: The Next Generation." He is also the writer, producer and director of the horror documentary series, "Monsterama."
WWE Superstar Randy Orton portrays Ed Freel, the father of the bully reprimanded by Simon. When Freel's son spreads a lie about Simon, Ed repeats the accusation and begins a campaign to get Simon fired. Since making his WWE debut in 2002, Orton has held the WWE Championship, the World Heavyweight Championship, the Intercontinental Championship and the World Tag Championship. A third-generation WWE Superstar, Orton is the son of WWE Hall of Famer "Cowboy Bob" Orton and the grandson of "The Big O," the late Bob Orton, Sr.
Mia Rose Frampton has been cast as Mary Bell, the prettiest girl in the school, who is also known as the preeminent make-out artist of the eighth grade. Frampton, the daughter of Grammy Award-winning artist Peter Frampton, stars as Becca Keeler in the popular ABC television series, "Make It or Break It" about the training of Olympic hopefuls.
Golden Globe-winner Amy Madigan ("Roe v. Wade") plays Principal Kelner, whose decision to suspend a school bully has devastating and unforeseen consequences. Madigan, familiar to many for her role as Annie Kinsella in the film, "Field of Dreams," and Iris Crowe in the HBO series "Carnivale," has received Oscar, Emmy and Independent Spirit Award nominations for her work in "Twice in a Lifetime," "The Prince of Pennsylvania," "Love Child" and "Loved." Her film credits include "The Laramie Project," "Pollock," "With Friends Like These," "The Dark Half," "Uncle Buck," "Alamo Bay," "Places in the Heart" and "Streets of Fire."
Writer-director-producer Pavone recently produced the family drama, "Legendary," starring Patricia Clarkson, WWE Superstar John Cena(R) and Danny Glover, as well as the comedy "Knucklehead," with Mark Feuerstein, Melora Hardin and WWE Superstar Paul "Big Show(R)" Wight. "Legendary" and "Knucklehead" are slated for theatrical release in late 2010.
World Wrestling Entertainment, Inc., a publicly traded company (WWE 16.44, +0.10, +0.61%) , is an integrated media organization and recognized leader in global entertainment. The company consists of a portfolio of businesses that create and deliver original content 52 weeks a year to a global audience. WWE is committed to family-friendly, PG content across all of its platforms including television programming, pay-per-view, digital media and publishing. WWE programming is broadcast in more than 145 countries and 30 languages and reaches more than 500 million homes worldwide. The company is headquartered in Stamford, Conn., with offices in New York, Los Angeles, Chicago, London, Shanghai, Sydney, Tokyo and Toronto. Additional information on World Wrestling Entertainment, Inc. (WWE 16.44, +0.10, +0.61%) can be found at wwe.com and corporate.wwe.com. For information on our global activities, go to http://www.wwe.com/worldwide.
Trademarks: All WWE programming, talent names, images, likenesses, slogans, wrestling moves, trademarks, copyrights and logos are the exclusive property of World Wrestling Entertainment, Inc. and its subsidiaries. All other trademarks, logos and copyrights are the property of their respective owners.
Forward-Looking Statements: This news release contains forward-looking statements pursuant to the safe harbor provisions of the Securities Litigation Reform Act of 1995, which are subject to various risks and uncertainties. These risks and uncertainties include the conditions of the markets for live events, broadcast television, cable television, pay-per-view, Internet, feature films, entertainment, professional sports, and licensed merchandise; acceptance of the Company's brands, media and merchandise within those markets; uncertainties relating to litigation; risks associated with producing live events both domestically and internationally; uncertainties associated with international markets; risks relating to maintaining and renewing key agreements, including television distribution agreements; and other risks and factors set forth from time to time in Company filings with the Securities and Exchange Commission. Actual results could differ materially from those currently expected or anticipated. In addition to these risks and uncertainties, our dividend is based on a number of factors, including our liquidity and historical and projected cash flow, strategic plan, our financial results and condition, contractual and legal restrictions on the payment of dividends and such other factors as our board of directors may consider relevant.
SOURCE: World Wrestling Entertainment, Inc.
Wednesday, February 17, 2010
Wrestling shows go head-to-head - 16th February 2010
LOS ANGELES - Spike TV is re-igniting the wrestling wars.
The cable network is moving its "TNA Impact" franchise up against USA's top-rated "Monday Night Raw." Starting March 8, the two-hour "Impact" will move from Thursdays to air head-to-head against USA's program, most notably echoing the Monday Night Wars of 1995-2001, when WWE's "Raw" faced World Championship Wrestling's "Monday Nitro."
The typically taped "Impact" also will air live telecasts every other week; "Raw" always airs live.
"We feel strongly that Monday nights is where the majority of wrestling viewers have been historically," TNA (Total Nonstop Action) president Dixie Carter said. "Having two Monday night wrestling shows with healthy competition between them can make for great TV."
Spike has done a pair of Monday night test runs, most recently last month, which featured the debut of the franchise's new host, wrestling icon Hulk Hogan. The special drew 2.2 million viewers, considerably higher than TNA's usual 1.6 million average, but couldn't pin "Raw," which averages about 5.2 million viewers each week.
"Our goal is not to beat 'Raw' immediately, but we feel confident this will accelerate our growth and make it fun for wrestling fans," Carter said.
The shows target different wrestling sensibilities, with "Raw" aiming for more of a PG rating and "Impact" drawing a TV-14.
"It's somewhat of a different audience," a WWE spokesperson said. "On Monday nights, we're one of the top cable shows. We're focusing on our new show for Syfy, 'NXT,' and 'Wrestlemania XXIV.'"
For Spike TV, this is an opportunity to tap into sports fans while "Monday Night Football" is off the grid.
The cable network is moving its "TNA Impact" franchise up against USA's top-rated "Monday Night Raw." Starting March 8, the two-hour "Impact" will move from Thursdays to air head-to-head against USA's program, most notably echoing the Monday Night Wars of 1995-2001, when WWE's "Raw" faced World Championship Wrestling's "Monday Nitro."
The typically taped "Impact" also will air live telecasts every other week; "Raw" always airs live.
"We feel strongly that Monday nights is where the majority of wrestling viewers have been historically," TNA (Total Nonstop Action) president Dixie Carter said. "Having two Monday night wrestling shows with healthy competition between them can make for great TV."
Spike has done a pair of Monday night test runs, most recently last month, which featured the debut of the franchise's new host, wrestling icon Hulk Hogan. The special drew 2.2 million viewers, considerably higher than TNA's usual 1.6 million average, but couldn't pin "Raw," which averages about 5.2 million viewers each week.
"Our goal is not to beat 'Raw' immediately, but we feel confident this will accelerate our growth and make it fun for wrestling fans," Carter said.
The shows target different wrestling sensibilities, with "Raw" aiming for more of a PG rating and "Impact" drawing a TV-14.
"It's somewhat of a different audience," a WWE spokesperson said. "On Monday nights, we're one of the top cable shows. We're focusing on our new show for Syfy, 'NXT,' and 'Wrestlemania XXIV.'"
For Spike TV, this is an opportunity to tap into sports fans while "Monday Night Football" is off the grid.
Monday, February 15, 2010
TNA Wrestling News: Against All Odds PPV
Samoa Joe challenges TNA World Hvt. champion A.J. Styles for the TNA World Title at tonight's Against All Odds PPV. The PPV will also feature Team 3D vs. the Nasty Boys and an eight-man tournament to determine the #1 contender to the World Title.
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Sunday, February 14, 2010
WWE(R) Superstar Triple H(R) Unveils His Action Figure and Kicks Off New York Toy Fair
Mattel and World Wrestling Entertainment(R) Celebrate Partnership and Present Innovative New Toys for the Fall 2010 Line
EL SEGUNDO, Calif., Feb 12, 2010 - WWE Superstar Triple H(R) joined Mattel, Inc. and World Wrestling Entertainment(R) to celebrate Mattel's first line of WWE(R) action figures and accessories, including several scheduled to debut in fall 2010, at a special event at New York Toy Fair today.
President of Mattel Brands Neil Friedman and WWE(R) COO Donna Goldsmith spoke about the partnership between these dynamic entertainment companies, the innovation behind the new FlexForce(TM) toys for kids and the renowned design behind the most detailed line of WWE figures ever assembled for the collector community. WWE(R) Superstar and 13-time World Champion Triple H(R), best known for his "Pedigree" finishing move, showcased his FlexForce(TM) action figure.
"Mattel's WWE action figures and accessories are the most complete and realistic ever produced, thanks to the close collaboration between two of the world's heavyweight brands," said Friedman. "We're certain that collectors will love the attention to detail of the WWE figures, while kids will be impressed with the moves and innovation behind the FlexForce line."
"This new line of WWE FlexForce figures is the first that captures the electrifying drama and action that goes on inside the ring," said Donna Goldsmith. "Through Mattel's new WWE line, kids and collectors around the world can experience the detail and authenticity of WWE's Superstars. These action figures and accessories also reflect the family-friendly PG content of WWE."
Mattel and WWE(R) joined forces to launch the most comprehensive portfolio of WWE(R) action figures and accessories, which hit shelves nationwide in January 2010. The line includes the FlexForce(TM) action figures for young fans and the Elite and Entrance Great figures for the avid collectors. Other products designed specifically for kids include Superstar Rings, Championship Belts, Ring Action Megaphone and motion-activated Tough Talkers(TM) that deliver WWE(R) Superstar catch phrases and striking sounds. Basic figure single packs will be released every month, while two-packs and Elite figures will roll out every other month.
Photos and b-roll of the special event are available at www.mattelbrandsmedia.com
About Mattel, Inc.
Mattel, Inc., (www.mattel.com) is the worldwide leader in the design, manufacture and marketing of toys and family products. The Mattel family is comprised of such best-selling brands as Barbie(R), the most popular fashion doll ever introduced, Hot Wheels(R), Matchbox(R), American Girl(R), Radica(R) and Tyco(R) R/C, as well as Fisher-Price(R) brands, including Little People(R), Power Wheels(R) and a wide array of entertainment-inspired toy lines. In 2009, Mattel is recognized among the "100 Best Corporate Citizens," as one of the "World's Most Ethical Companies" and as one of FORTUNE Magazine's "100 Best Companies to Work For." With worldwide headquarters in El Segundo, Calif., Mattel employs approximately 30,000 people in 43 countries and territories and sells products in more than 150 nations. Mattel's vision is to be the world's premier toy brands--today and tomorrow.
About WWE, Inc.
World Wrestling Entertainment, Inc., a publicly traded company, is an integrated media organization and recognized leader in global entertainment. The company consists of a portfolio of businesses that create and deliver original content 52 weeks a year to a global audience. WWE is committed to family-friendly, PG content across all of its platforms including television programming, pay-per-view, digital media and publishing. WWE programming is broadcast in more than 145 countries and 30 languages and reaches more than 500 million homes worldwide. The company is headquartered in Stamford, Conn., with offices in New York, Los Angeles, Chicago, London, Shanghai, Sydney, Tokyo and Toronto. Additional information on World Wrestling Entertainment, Inc. can be found at corporate.wwe.com.
(C) 2010 Mattel, Inc. All Rights Reserved.
Trademarks: All WWE programming, talent names, images, likenesses, slogans, wrestling moves, trademarks, copyrights and logos are the exclusive property of World Wrestling Entertainment, Inc. and its subsidiaries. All other trademarks, logos and copyrights are the property of their respective owners. (C) 2010 World Wrestling Entertainment, Inc. All Rights Reserved.
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EL SEGUNDO, Calif., Feb 12, 2010 - WWE Superstar Triple H(R) joined Mattel, Inc. and World Wrestling Entertainment(R) to celebrate Mattel's first line of WWE(R) action figures and accessories, including several scheduled to debut in fall 2010, at a special event at New York Toy Fair today.
President of Mattel Brands Neil Friedman and WWE(R) COO Donna Goldsmith spoke about the partnership between these dynamic entertainment companies, the innovation behind the new FlexForce(TM) toys for kids and the renowned design behind the most detailed line of WWE figures ever assembled for the collector community. WWE(R) Superstar and 13-time World Champion Triple H(R), best known for his "Pedigree" finishing move, showcased his FlexForce(TM) action figure.
"Mattel's WWE action figures and accessories are the most complete and realistic ever produced, thanks to the close collaboration between two of the world's heavyweight brands," said Friedman. "We're certain that collectors will love the attention to detail of the WWE figures, while kids will be impressed with the moves and innovation behind the FlexForce line."
"This new line of WWE FlexForce figures is the first that captures the electrifying drama and action that goes on inside the ring," said Donna Goldsmith. "Through Mattel's new WWE line, kids and collectors around the world can experience the detail and authenticity of WWE's Superstars. These action figures and accessories also reflect the family-friendly PG content of WWE."
Mattel and WWE(R) joined forces to launch the most comprehensive portfolio of WWE(R) action figures and accessories, which hit shelves nationwide in January 2010. The line includes the FlexForce(TM) action figures for young fans and the Elite and Entrance Great figures for the avid collectors. Other products designed specifically for kids include Superstar Rings, Championship Belts, Ring Action Megaphone and motion-activated Tough Talkers(TM) that deliver WWE(R) Superstar catch phrases and striking sounds. Basic figure single packs will be released every month, while two-packs and Elite figures will roll out every other month.
Photos and b-roll of the special event are available at www.mattelbrandsmedia.com
About Mattel, Inc.
Mattel, Inc., (www.mattel.com) is the worldwide leader in the design, manufacture and marketing of toys and family products. The Mattel family is comprised of such best-selling brands as Barbie(R), the most popular fashion doll ever introduced, Hot Wheels(R), Matchbox(R), American Girl(R), Radica(R) and Tyco(R) R/C, as well as Fisher-Price(R) brands, including Little People(R), Power Wheels(R) and a wide array of entertainment-inspired toy lines. In 2009, Mattel is recognized among the "100 Best Corporate Citizens," as one of the "World's Most Ethical Companies" and as one of FORTUNE Magazine's "100 Best Companies to Work For." With worldwide headquarters in El Segundo, Calif., Mattel employs approximately 30,000 people in 43 countries and territories and sells products in more than 150 nations. Mattel's vision is to be the world's premier toy brands--today and tomorrow.
About WWE, Inc.
World Wrestling Entertainment, Inc., a publicly traded company, is an integrated media organization and recognized leader in global entertainment. The company consists of a portfolio of businesses that create and deliver original content 52 weeks a year to a global audience. WWE is committed to family-friendly, PG content across all of its platforms including television programming, pay-per-view, digital media and publishing. WWE programming is broadcast in more than 145 countries and 30 languages and reaches more than 500 million homes worldwide. The company is headquartered in Stamford, Conn., with offices in New York, Los Angeles, Chicago, London, Shanghai, Sydney, Tokyo and Toronto. Additional information on World Wrestling Entertainment, Inc. can be found at corporate.wwe.com.
(C) 2010 Mattel, Inc. All Rights Reserved.
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Saturday, February 13, 2010
Lucha VaVoom brings wrestling and burlesque together in downtown LA - 12 February 2010
Joey Ryan stood on the outside, taking a breather in the middle of his match. Suddenly he looked up and saw a man in a giant chicken costume ready to come crashing down on him from high above.
The chicken flew, flattening Ryan. The Crazy Chickens' theme song pounded through the sold-out auditorium on Wednesday night as Lucha VaVoom thundered back into town as part of an annual Valentine's show at the Mayan Theatre in Los Angeles.
The chickens danced. The crowd roared and Joey Ryan was rolled back into the ring for his last trouncing of the night.
Lucha VaVoom's motto is "sexo y violencia," and they bring together Mexican lucha libre pro wrestling, burlesque, and comedy. "It teases but never delivers either sex or violence," said lucha libre expert Steve Sims.
VaVoom has expanded its demographic in recent years beyond the hipster crowd. The Hispanic community has begun to embrace the promotion.
"It took a really long time for them to respect what we were doing and realize that we were respecting their culture," said co-producer Rita D'Albert.
As LuchaBlog.com writer N. Khan put it, "To me, it's clear they love lucha libre, and the silliness they do is meant as a satire and not a mockery."
"Lucha VaVoom seems to draw a mostly casual audience with only a slight familiarity with it," Khan added. "I don't think that changes for most by the end of the night, but I do think they come away from the show with an appreciation for the wrestlers themselves and for their style of action."
Lucha VaVoom has been entertaining L.A. crowds for over seven years at its Mayan Theatre home. The group has also gone on tour, traveling to Las Vegas, Chicago, Amsterdam, and New York's Webster Hall.
Comedian Blaine Capatch hosts the show and does live commentary during the matches. Other comedians are brought in as well, including Howard Kramer on Wednesday and the voice of SpongeBob, Tom Kenny on Thursday. Other comedians who've participated have included Patton Oswalt, Dana Gould, and Fred Armisen from "Saturday Night Live."
The show pushes sexual boundaries, with burlesque dancers entertaining between wrestling matches, gay wrestling characters like Cassandro goosing his opponent to wild cheers from the crowd, and androgynous lightning-fast hula hooper Karis.
Cassandro is an unlikely hero, but "he has the respect of all the wrestlers in Mexico and here," said co-producer Liz Fairbairn.
"They love him," Fairbairn said.
He's been wrestling for 20 years, from L.A. to an event at the Louvre against Mexican wrestling legend El Hijo del Santo.
Cassandro is part of the lucha tradition of "exoticos," gay wrestling characters.
"A lot of the moves in his arsenal involve using the other wrestler's homophobia as a weapon," said D'Albert. "I like how much less testosterone-fueled [lucha] is. It's got much more of a sense of fun."
Unlike most American pro wrestling, the wrestlers don't do much talking.
"We don't let them get on the mic and yell like this!" D'Albert said. "Their characters are well developed, so through their style of wrestling, you get what they stand for."
Lucha wrestling features "rudos," the bad guys who use a rough, brawling style against "técnicos," the good guys who use a technical style with more high flying.
Fairbairn brought "lucha libre," or "free fighting" in Spanish, to the United States after she began dating a Mexican wrestler.
"The first time I went was in Ensenada," said Fairbairn. "I just couldn't believe my eyes. It was the best thing I'd ever seen and I just thought everybody should see it.
"Since the early days of punk rock, I have never seen anything that cool."
Part of Fairbairn's desire to bring lucha to the United States was to find work for her Mexican wrestling boyfriend. In her day job as a costume designer, she was working on a burlesque show, where she met partner D'Albert.
D'Albert had been part of a modern burlesque revival beginning in 1995. D'Albert and friends had discovered burlesque in old magazines.
"Strip clubs are OK, but this is like a theater," Fairbairn said. "These are a little bit higher concept."
It was also a natural extension of what was already there in lucha libre, as wrestlers in Mexico are often accompanied to the ring by scantily-clad women who sometimes dance between matches.
D'Albert helped to introduce the burlesque side of the concept, and Lucha VaVoom was born.
"It's just fun," said Fairbairn. "You know, people can kind of let their guard down. There's nothing ironic about it. It's action. People can scream, and yell, and cheer, and get drunk, and make fools of themselves, and it's OK."
D'Albert also performs in the shows as Ursulina, inspired by 1960s icons like Ursula Andress and Sophia Loren.
She's opening this week's events with an original song about Lucha VaVoom. Other burlesque dancers on the show, or "buxoticas" as they're known in Lucha VaVoom, include Harvest Moon, who does a contortionist act in a giant bird cage, as well as a wide variety of dancers and the classic burlesque tassel twirlers.
There are midgets, called "minis," who perform some of the most spectacular stunts on the show. The Crazy Chickens have a midget counterpart, the irreverent Li'l Chicken.
The producers have big dreams for the future of Lucha VaVoom, seeking to land a residency in Las Vegas and expanding their touring operation. They've also launched a new promotion, "The Girlie-Girl Catfight Show," at the El Rey in L.A.
They're also looking to land a TV show.
"I've actually left meetings – Comedy Central – where they go, 'I don't know if wrestling would work on TV.'" D'Albert went on to point out the history of wrestling on television and its continued success.
Lucha VaVoom will perform at the Fillmore in San Francisco on Friday night. They return to L.A. in May for "Cinco de Mayan," and again for an annual Halloween series in October. (Credit: Southern California Public Radio)
The chicken flew, flattening Ryan. The Crazy Chickens' theme song pounded through the sold-out auditorium on Wednesday night as Lucha VaVoom thundered back into town as part of an annual Valentine's show at the Mayan Theatre in Los Angeles.
The chickens danced. The crowd roared and Joey Ryan was rolled back into the ring for his last trouncing of the night.
Lucha VaVoom's motto is "sexo y violencia," and they bring together Mexican lucha libre pro wrestling, burlesque, and comedy. "It teases but never delivers either sex or violence," said lucha libre expert Steve Sims.
VaVoom has expanded its demographic in recent years beyond the hipster crowd. The Hispanic community has begun to embrace the promotion.
"It took a really long time for them to respect what we were doing and realize that we were respecting their culture," said co-producer Rita D'Albert.
As LuchaBlog.com writer N. Khan put it, "To me, it's clear they love lucha libre, and the silliness they do is meant as a satire and not a mockery."
"Lucha VaVoom seems to draw a mostly casual audience with only a slight familiarity with it," Khan added. "I don't think that changes for most by the end of the night, but I do think they come away from the show with an appreciation for the wrestlers themselves and for their style of action."
Lucha VaVoom has been entertaining L.A. crowds for over seven years at its Mayan Theatre home. The group has also gone on tour, traveling to Las Vegas, Chicago, Amsterdam, and New York's Webster Hall.
Comedian Blaine Capatch hosts the show and does live commentary during the matches. Other comedians are brought in as well, including Howard Kramer on Wednesday and the voice of SpongeBob, Tom Kenny on Thursday. Other comedians who've participated have included Patton Oswalt, Dana Gould, and Fred Armisen from "Saturday Night Live."
The show pushes sexual boundaries, with burlesque dancers entertaining between wrestling matches, gay wrestling characters like Cassandro goosing his opponent to wild cheers from the crowd, and androgynous lightning-fast hula hooper Karis.
Cassandro is an unlikely hero, but "he has the respect of all the wrestlers in Mexico and here," said co-producer Liz Fairbairn.
"They love him," Fairbairn said.
He's been wrestling for 20 years, from L.A. to an event at the Louvre against Mexican wrestling legend El Hijo del Santo.
Cassandro is part of the lucha tradition of "exoticos," gay wrestling characters.
"A lot of the moves in his arsenal involve using the other wrestler's homophobia as a weapon," said D'Albert. "I like how much less testosterone-fueled [lucha] is. It's got much more of a sense of fun."
Unlike most American pro wrestling, the wrestlers don't do much talking.
"We don't let them get on the mic and yell like this!" D'Albert said. "Their characters are well developed, so through their style of wrestling, you get what they stand for."
Lucha wrestling features "rudos," the bad guys who use a rough, brawling style against "técnicos," the good guys who use a technical style with more high flying.
Fairbairn brought "lucha libre," or "free fighting" in Spanish, to the United States after she began dating a Mexican wrestler.
"The first time I went was in Ensenada," said Fairbairn. "I just couldn't believe my eyes. It was the best thing I'd ever seen and I just thought everybody should see it.
"Since the early days of punk rock, I have never seen anything that cool."
Part of Fairbairn's desire to bring lucha to the United States was to find work for her Mexican wrestling boyfriend. In her day job as a costume designer, she was working on a burlesque show, where she met partner D'Albert.
D'Albert had been part of a modern burlesque revival beginning in 1995. D'Albert and friends had discovered burlesque in old magazines.
"Strip clubs are OK, but this is like a theater," Fairbairn said. "These are a little bit higher concept."
It was also a natural extension of what was already there in lucha libre, as wrestlers in Mexico are often accompanied to the ring by scantily-clad women who sometimes dance between matches.
D'Albert helped to introduce the burlesque side of the concept, and Lucha VaVoom was born.
"It's just fun," said Fairbairn. "You know, people can kind of let their guard down. There's nothing ironic about it. It's action. People can scream, and yell, and cheer, and get drunk, and make fools of themselves, and it's OK."
D'Albert also performs in the shows as Ursulina, inspired by 1960s icons like Ursula Andress and Sophia Loren.
She's opening this week's events with an original song about Lucha VaVoom. Other burlesque dancers on the show, or "buxoticas" as they're known in Lucha VaVoom, include Harvest Moon, who does a contortionist act in a giant bird cage, as well as a wide variety of dancers and the classic burlesque tassel twirlers.
There are midgets, called "minis," who perform some of the most spectacular stunts on the show. The Crazy Chickens have a midget counterpart, the irreverent Li'l Chicken.
The producers have big dreams for the future of Lucha VaVoom, seeking to land a residency in Las Vegas and expanding their touring operation. They've also launched a new promotion, "The Girlie-Girl Catfight Show," at the El Rey in L.A.
They're also looking to land a TV show.
"I've actually left meetings – Comedy Central – where they go, 'I don't know if wrestling would work on TV.'" D'Albert went on to point out the history of wrestling on television and its continued success.
Lucha VaVoom will perform at the Fillmore in San Francisco on Friday night. They return to L.A. in May for "Cinco de Mayan," and again for an annual Halloween series in October. (Credit: Southern California Public Radio)
McMahon: WWE Network Expected To Launch in Mid 2011 - 11th February 2010
Proposed Network To Help Promote `Raw,' `SmackDown' Properties
World Wrestling Entertainment is looking to jump into the cable network ring with a proposed network that the pro grappling outfit expects to launch in the next 18 months, according to WWE chairman Vince McMahon.
McMahon, speaking Thursday morning during the company's 2009 fourth-quarter earnings call, said it has been doing "a great deal of due diligence" toward creating a WWE cable network that would presumably offer live and library content.
"I would hope a year-and-a-half from now we would be up and running," McMahon said. "We think there is a tremendous opportunity for us out there and quite frankly if things happen as we hope they will happen it will be a really big game changer for the WWE."
The proposed network would not infringe on the WWE's current cable and broadcast shows, including USA Network's WWE Monday Night Raw and MyNetworkTV's SmackDown , but instead could be used as a marketing tool for those shows.
"We are unique in that what's good for the WWE is good for all our television partners as far as promotion and things of that nature," he said. "The new network could tie in and be adjacent to some of those shows and quite frankly our own network can enhance Raw and SmackDown. It would really be a win-win across the board for our television partners, as well as for us." (Credit: World Wrestling Entertainment, MultiChannel News, Wires)
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World Wrestling Entertainment is looking to jump into the cable network ring with a proposed network that the pro grappling outfit expects to launch in the next 18 months, according to WWE chairman Vince McMahon.
McMahon, speaking Thursday morning during the company's 2009 fourth-quarter earnings call, said it has been doing "a great deal of due diligence" toward creating a WWE cable network that would presumably offer live and library content.
"I would hope a year-and-a-half from now we would be up and running," McMahon said. "We think there is a tremendous opportunity for us out there and quite frankly if things happen as we hope they will happen it will be a really big game changer for the WWE."
The proposed network would not infringe on the WWE's current cable and broadcast shows, including USA Network's WWE Monday Night Raw and MyNetworkTV's SmackDown , but instead could be used as a marketing tool for those shows.
"We are unique in that what's good for the WWE is good for all our television partners as far as promotion and things of that nature," he said. "The new network could tie in and be adjacent to some of those shows and quite frankly our own network can enhance Raw and SmackDown. It would really be a win-win across the board for our television partners, as well as for us." (Credit: World Wrestling Entertainment, MultiChannel News, Wires)
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Wednesday, February 10, 2010
ECW Originals could spike numbers, interest, media and attendance in TNA; Rob Van Dam, Sabu, Taz, Shane Douglas, Tommy Dreamer, Cactus Jack - 9th Feb
ECW Originals could spike numbers, interest, media and attendance in TNA; Rob Van Dam, Sabu, Taz, Shane Douglas, Tommy Dreamer, Cactus Jack, Terry Funk; Paul E aka Paul Heyman as mastermind, by Greg Tingle
Wrestling fans and media commentators the world over, from the U.S to Europe, down under to Australia, are interested to see the reformation of the ECW Original's (in TNA Wrestling!).
Living legend Hulk Hogan is listening to both wresting fans and the network powers that be.
Hogan claims TNA isn't to the point yet of having a Monday night timeslot locked in with Spike TV, but he feels their "positive energy" every day that tells him they're getting closer to working out a deal.
Many insiders say Hogan is doing what's best for the business and really does want to give back to the industry that made him a mega star.
"We're pushing hard for Mondays, trying to get there, a lot of variables, but it looks like it's much better than it did yesterday," Hogan said on the Monday Night Mayhem radio show yesterday. "I'm just starting to figure this crap out right now dealing with networks, ad sales, cross-overs, going to the top of the hours, quarter-hours."
Hogan said they've been "getting good news" for the last week as they push hard for Monday nights, but now he's shifting the heat to the "smart marks" - his scapegoat term the past week - for pushing for Monday nights.
"There's stuff that's already been scheduled, there's budgeting issues, there's shows for the new season, so it's not like 'Okay, let's go live on Monday nights.' Nothing is that easy. A lot of the fans, a lot of the 'smart marks' are saying 'we should go live Monday nights.' They have no idea what it entails, I'm just now having people sit me down after 30 years of wrestling and go 'Guy, you know what it's all about to work the match and be on the road.' Now you're dealing with the economy, the network, and the way the audience flips and changes the channel," Hogan said. "Right when you think you have it figured out what attracts the right demo, it starts to mold, and manipulate, and shape."
Hogan did admit TNA can't just "plug in the old NWO" and do the same storylines again like they did in WCW. He said they're learning from their mistakes a month into running TNA and figuring out how to present the product.
"It's not a cookie-cutter thing...you just lock down like you did when you ran against Vince (McMahon) with Ted Turner (in WCW). I thought that would work just to work it in and make a crack, but things are different than they two-three months ago because of the economy," Hogan said. "When you figure in the networks and the head of Viacom, and they're watching the minute by minute numbers for 18-34 (year olds), it's not like you could just plug in the old NWO and do it like we did when we punked Vince out. It's ever-changing moving parts, so we did learn from our mistakes; like when you get successful sometimes, you can get too full of yourself."
Hogan also gave a nod to the ratings dip this past Thursday on Impact when they lost approximately 350,000 viewers after the all-time ratings peak on Thursday nights on January 28.
"We have learned from our mistakes, and we are learning, almost like on the job training, because some of the stuff that worked two weeks ago, didn't work last week, so we're digging in and have our ears and eyes to the ground," he said.
Hard core fans and insiders, the type that subscribe to "sheets" like the famed Wrestling Observer Newsletter and Pro Wrestling Torch generally agree that TNA needs more technically gifted, big name wrestlers..."total package" type wrestlers like Kurt Angle and fans are urging Hogan to bring in Rob Van Dam and to reform the ECW (Extreme Championship Wrestling) Original's.
Australian based Media Man, the media and publicity company advised that if Hogan brings in Rob Van Dam and at least some ECW Original's it will boost numbers across the board and would be money well spent.
TNA already have the foundations and some strong name value in Hogan, Ric Flair, Kurt Angle and some solid financial backing, so its time to turn it up a few notches and make the most of the golden opportunities that present.
Insiders agree that TNA needs to do more to improve and that the ECW and Rob Van Dam factor could be just want the wrestling promotions needs at the moment. TNA has also been exploring some of the elements that made the UFC a mega success. Former amateur
wrestler and WWE superstar, Brock Lesnar, is credited with helping UFC get to the next level. A bit of history...in 2002 WWE credited Lesnar for injuring Hulk Hogan's back and preventing The Hulkster from being on the WWE wrestling tour "down under". It was a worked angle. Hogan touched on this history with News Limited in his recent Hulkamania Let The Battle Begin Tour of Australia where he drew decent crowds and massive media attention sharing the spotlight with "The Nature Boy" Ric Flair. Flair remains keen to get back in the ring with TNA. In past weeks Flair has been mentoring the TNA stable and his guidance to A.J Styles have been played out in storylies, to a mixed reaction from fans and co-workers.
Wrestling fans in the meantime continue to enjoy the battle between TNA and WWE. As Hogan says, "The fans win".
References: Media Man, Pro Wrestling Observer, Pro Wrestling Torch, TNA Wrestling, World Wrestling Entertainment, Rob Van Dam official website, Heyman Hustle.
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Wrestling fans and media commentators the world over, from the U.S to Europe, down under to Australia, are interested to see the reformation of the ECW Original's (in TNA Wrestling!).
Living legend Hulk Hogan is listening to both wresting fans and the network powers that be.
Hogan claims TNA isn't to the point yet of having a Monday night timeslot locked in with Spike TV, but he feels their "positive energy" every day that tells him they're getting closer to working out a deal.
Many insiders say Hogan is doing what's best for the business and really does want to give back to the industry that made him a mega star.
"We're pushing hard for Mondays, trying to get there, a lot of variables, but it looks like it's much better than it did yesterday," Hogan said on the Monday Night Mayhem radio show yesterday. "I'm just starting to figure this crap out right now dealing with networks, ad sales, cross-overs, going to the top of the hours, quarter-hours."
Hogan said they've been "getting good news" for the last week as they push hard for Monday nights, but now he's shifting the heat to the "smart marks" - his scapegoat term the past week - for pushing for Monday nights.
"There's stuff that's already been scheduled, there's budgeting issues, there's shows for the new season, so it's not like 'Okay, let's go live on Monday nights.' Nothing is that easy. A lot of the fans, a lot of the 'smart marks' are saying 'we should go live Monday nights.' They have no idea what it entails, I'm just now having people sit me down after 30 years of wrestling and go 'Guy, you know what it's all about to work the match and be on the road.' Now you're dealing with the economy, the network, and the way the audience flips and changes the channel," Hogan said. "Right when you think you have it figured out what attracts the right demo, it starts to mold, and manipulate, and shape."
Hogan did admit TNA can't just "plug in the old NWO" and do the same storylines again like they did in WCW. He said they're learning from their mistakes a month into running TNA and figuring out how to present the product.
"It's not a cookie-cutter thing...you just lock down like you did when you ran against Vince (McMahon) with Ted Turner (in WCW). I thought that would work just to work it in and make a crack, but things are different than they two-three months ago because of the economy," Hogan said. "When you figure in the networks and the head of Viacom, and they're watching the minute by minute numbers for 18-34 (year olds), it's not like you could just plug in the old NWO and do it like we did when we punked Vince out. It's ever-changing moving parts, so we did learn from our mistakes; like when you get successful sometimes, you can get too full of yourself."
Hogan also gave a nod to the ratings dip this past Thursday on Impact when they lost approximately 350,000 viewers after the all-time ratings peak on Thursday nights on January 28.
"We have learned from our mistakes, and we are learning, almost like on the job training, because some of the stuff that worked two weeks ago, didn't work last week, so we're digging in and have our ears and eyes to the ground," he said.
Hard core fans and insiders, the type that subscribe to "sheets" like the famed Wrestling Observer Newsletter and Pro Wrestling Torch generally agree that TNA needs more technically gifted, big name wrestlers..."total package" type wrestlers like Kurt Angle and fans are urging Hogan to bring in Rob Van Dam and to reform the ECW (Extreme Championship Wrestling) Original's.
Australian based Media Man, the media and publicity company advised that if Hogan brings in Rob Van Dam and at least some ECW Original's it will boost numbers across the board and would be money well spent.
TNA already have the foundations and some strong name value in Hogan, Ric Flair, Kurt Angle and some solid financial backing, so its time to turn it up a few notches and make the most of the golden opportunities that present.
Insiders agree that TNA needs to do more to improve and that the ECW and Rob Van Dam factor could be just want the wrestling promotions needs at the moment. TNA has also been exploring some of the elements that made the UFC a mega success. Former amateur
wrestler and WWE superstar, Brock Lesnar, is credited with helping UFC get to the next level. A bit of history...in 2002 WWE credited Lesnar for injuring Hulk Hogan's back and preventing The Hulkster from being on the WWE wrestling tour "down under". It was a worked angle. Hogan touched on this history with News Limited in his recent Hulkamania Let The Battle Begin Tour of Australia where he drew decent crowds and massive media attention sharing the spotlight with "The Nature Boy" Ric Flair. Flair remains keen to get back in the ring with TNA. In past weeks Flair has been mentoring the TNA stable and his guidance to A.J Styles have been played out in storylies, to a mixed reaction from fans and co-workers.
Wrestling fans in the meantime continue to enjoy the battle between TNA and WWE. As Hogan says, "The fans win".
References: Media Man, Pro Wrestling Observer, Pro Wrestling Torch, TNA Wrestling, World Wrestling Entertainment, Rob Van Dam official website, Heyman Hustle.
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Sunday, February 07, 2010
WWE News: Fox News - Linda McMahon's Senate opponent trying to use the "Eugene" character against McMahon
Fox News picked up the story of former WWE CEO Linda McMahon's Republican opponent in the Connecticut Senate race looking to use WWE's "Eugene" character against McMahon.
Rob Simmons, who is running against McMahon for the Republican nomination, is trying to draw attention to WWE's use of the "mentally retarded" Eugene character while media attention is on U.S. president Barack Obama's White House Chief of Staff, Rahm Emanuel, for recently using the word "retards" in a derogatory manner.
Simmons says he wants McMahon to account for the storyline where "Eugene" was destroyed by Triple H in a steel cage match in September 2004.
At the time, WWE defended the character by saying he was designed to be a "hero" encouraging "other people with disabilities to strive to achieve their dreams."
Caldwell's Analysis: Simmons can chase this angle all he wants by looking through the history of racist, sexist, jingoistic, homophobic, and insensitive characters that have come through the WWE pipeline to find some sort of "negative visual" for the general public to attach to McMahon, but this is maybe #5 on important issues McMahon needs to be held accountable for from her time as WWE CEO. #1 is the record of occupational health issues in WWE and pro wrestling with an industry-wide epidemic of wrestlers dying young, steroid abuse, pain pill addiction, independent contractor status when wrestlers are treated like employees, no formal regulatory body protecting wrestlers, and no regularly-scheduled off-season. (Credit: Pro Wrestling Torch)
Rob Simmons, who is running against McMahon for the Republican nomination, is trying to draw attention to WWE's use of the "mentally retarded" Eugene character while media attention is on U.S. president Barack Obama's White House Chief of Staff, Rahm Emanuel, for recently using the word "retards" in a derogatory manner.
Simmons says he wants McMahon to account for the storyline where "Eugene" was destroyed by Triple H in a steel cage match in September 2004.
At the time, WWE defended the character by saying he was designed to be a "hero" encouraging "other people with disabilities to strive to achieve their dreams."
Caldwell's Analysis: Simmons can chase this angle all he wants by looking through the history of racist, sexist, jingoistic, homophobic, and insensitive characters that have come through the WWE pipeline to find some sort of "negative visual" for the general public to attach to McMahon, but this is maybe #5 on important issues McMahon needs to be held accountable for from her time as WWE CEO. #1 is the record of occupational health issues in WWE and pro wrestling with an industry-wide epidemic of wrestlers dying young, steroid abuse, pain pill addiction, independent contractor status when wrestlers are treated like employees, no formal regulatory body protecting wrestlers, and no regularly-scheduled off-season. (Credit: Pro Wrestling Torch)
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